![]() ![]() Let’s try listening to some actual sounds. The STI value is generally required more than 0.6 for human speech to be intelligible. (poor intelligibility)Ĭontrarily the transmitted sound resembles the original sound, containing less reflected sound, the STI value increases up to 1. If the transmitted sound to ears includes much more reflected sound than the original, in other words, the transmitted sound badly differs the original, the STI value decreases toward 0. In short, the easiness or difficulty of speech listening can be assessed by the resemblance of the original sound wave and transmitted sound wave to ears. ![]() The Speech Transmission Index (STI) provides the sound transmission with an objective value, focusing the physical phenomenon of sound mixing. Such judgment is ambiguous and prone to be influenced by individual variations among listeners and the state of voice. I still haven’t got my copy of Sight & Sound, which is most probably because I still haven’t ordered it.The human ears judged the easiness of speech listening in the past. Given this historical background, the nickname ‘Kurosawa tenno’ belittles Kurosawa as a delusional upstart whose self-important image of himself is as ridiculous as that of Kumazawa Hiromichi.” … While Kumazawa drew the attention of Japanese and foreign mass media, other self-proclaimed emperors appeared all over Japan. Yet, as for instance Yoshimoto notes in one of his footnotes (pages 379-380), the nickname Kurosawa tenno actually carries a whole lot of negative connotations and, notes Yoshimoto, at least originally deliberately echoed Kumazawa tenno, “or Kumazawa Hiromichi, a shopkeeper in Nagoya, publicly claimed in January 1946, about two weeks after Emperor Hirohito had denied his own divinity, that he was the true emperor of Japan. Tora is the 20-year old Londoner who has caught everyone’s attention during UK lockdown. I wonder, by the way, if there isn’t something of a slight misunderstanding in the west, where talking about Kurosawa as “the emperor” is usually considered both a recognition of his artistry and a reference to his working methods on the set. As you can see, I have never been very good with titles - as also the title of Akira Kurosawa: News, Information and Discussion amply illustrates! One of the two was a tribute to Kurosawa titled The Last Emperor, basically consisting of what is now the “quotes” section of this website, and the other was a companion page titled The Last Samurai dedicated to Mifune. I actually had two related websites online for about half a year, before I closed most of my websites when moving to Japan. Indeed, even Cox’s documentary is called that! For my defence, I don’t think that I actually knew about the documentary when I first built the prototype of this website back in 1998. Browse 5,569 tora tora tora stock photos and images available, or search for movies to find more great stock photos and pictures. It also looks like you should be able to buy the issue from either here or here. I assume that the July issue has already hit the news stands, or will do so soon. For a full contents list, head over to BFI’s website. There is of course plenty of other material in the magazine as well, as it is not all Kurosawa. “Disputed territories” has Alexander Jacoby ask “What do two striking late 1940s films – Drunken Angel and Stray Dog – tell us about Kurosawa’s attitude to the post-war Allied Occupation of Japan?” Since I haven’t actually gotten the magazine (yet), I cannot tell you the answer.Īfter that, we have an article by Stuart Galbraith IV (author of The Emperor and the Wolf) which looks at Kurosawa’s attempts at breaking into Hollywood in the late 1960s with the failed Runaway Train and Tora! Tora! Tora! projects.įinally, in an article titled “The Misfit”, Tony Rayns looks at the question how Japanese Kurosawa really was, arguing that while he was considered the archetypal Japanese director in the west, he was “something of an anomaly” for the Japanese. ![]() There isn’t much new there of course for anyone who has read the standard Kurosawa literature.Īnother article, labelled “Kurosawa, the Last Emperor” (which coincidentally was once the working title of this website, but I deemed it too cliché), contains extracts from the 1981 interview by Tony Rayns, which was also printed in Bert Cardullo’s Akira Kurosawa: Interviews. The British Film Institute’s July 2010 issue of film magazine Sight & Sound has Kurosawa on the cover, and plenty of Kurosawa related content inside of those covers.Ī section called “Kurosawa on Kurosawa”, which is also available online, contains extracts from a 1964 interview conducted by Donald Richie, as well as two later interviews where Kurosawa talks about his works. ![]()
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